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Chrome-bevel sheet on grid paper — specs and return notes filed under the bay.
removing himself from the public eye
” This is a classic and inspiring work
where verticality is a sign of defiance
over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America
Syracuse, 1981 signature:unsigned removing himself from the publicFirst edition first impression in new condition, signed by Bruce Gilden to title page. About Looking through my Syracuse work is a walk down memory lane. I was 34 in 1981 when Jeffrey Hoone the director of Light Work invited me to Syracuse for a month long artist residency. The Light Work residency enables a photographer to shoot, develop, and print film, and, since I have never been very good at either developing or printing, I focused exclusively on